In den Wohnungen meiner Mutter sind viele Türen

We all know photos with painted-over or cut-out faces. The repeatedly inserted hand that works on family pictures with pens and other utensils seems like a refrain. The attempts at eradication are audible. They are a dissonance transferred to the body. Scratch, distort, remove. Usually a woman’s head. 　　Even if the narrator speaks in the third person, even if the hand may not be his hand, these could be his own experiences. The fragmentary descriptions revolve around a mother who beats and tortures her children. It is a childhood in permanent fear. How do you deal with the memories and scars in adulthood? Can the experience be put into words at all? Why do you feel strangely alienated from your siblings who suffered the same? David Kind’s essayistic approach to the trauma of violence is questioning. The doors of the title are opened with extreme caution.