异·创世纪

An experimental film that focuses on the duality of its medium: material and image. A figure dressed in shirt and tie – the filmmaker himself – walks in circles around what appears to be a junkyard and confuses this duality as more and more vertical scratches are introduced to the surface of the image. The film employs tactics of trompe-l’œil to comically allude to the circular nature of human life and, in its function as the artist’s self-portrait, gently mocks the home movie genre.